She stared down at them from a high window, peering down at their moonlit faces in the bed heavy with furs, the same bed where she had given birth to Gianfrancesco’s dead son. . Two children, who had been caught in the jam-closet: ingratiating smiles, back of which lay doubt and fear. Then the bridge had arched gateways, bristling with spikes, and garnished (as all ancient gateways ought to be) with the heads of traitors. “The adventures I do not doubt, Annabel,” she said. “This girl—she’s really a very charming, frank person—had had her imagination fired, so she told me, by a school performance of Romeo and Juliet.
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