I wrenched this off, and in an envelope addressed to me in faded ink, I found the locket and the pearls. ‘The fact of it is,’ I said, ‘I’m the new playwright, Thomas More. I did not care—no woman really cares—to play the beggar maid to your King Cophetua. The doorbell tinkled and Michelle grabbed her purse and rushed down the creaky wooden stairs. ‘I borrow the expression from Melusine.
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