All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. “My name is Anna Pellissier, sometimes called Annabel. If you will think only of one trifling aspect—the inconvenience it must be to us to explain your absence—I think you may begin to realize what it all means for us.
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