She was lovely, painted like the porcelain doll he had always wanted her to be. A skeleton was propped against the mantelpiece. I cannot explain beyond that. Why am I here—thirty years of loneliness? Because I know women, the good and the bad; and because I could not have the good, I would not take the bad. Michelle's home was one of the smaller palaces, made solidly of red brick with charming black shutters and window boxes full of drooping violets.
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