Part 6 These were Ann Veronica’s leading cases in the question of marriage. Two or three podgy-looking old men with wives to match, half-a-dozen overdressed girls, and a couple of underdressed American ones, who still wore the clothes in which they had been tramping half over London since breakfast time. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. I don’t mean I’m not a good woman—I mean that I’m not a GOOD woman.
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