It throbs cruelly. “I am excited to announce the premiere of my Concerto for Violin and Orchestra, to be played tonight featuring solos by our concertmaster, Lucy Albert. But they were all pretty nearly of the same length, and built somewhat after the model of a boat, having extremities as sharp and pointed as the keel of a canoe. At this point Lucy, in an effort perhaps—foolhardy, in Gerald’s opinion—to pour oil on troubled waters, rose swiftly to her feet and came towards the old man, her hand held out. What does it matter? It is here, and it is here to stay.
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