‘Tchah! So you’re the whelp’s girl, are you? Suppose you’ve nothing but that villainous French in your tongue. ‘Mad as hatters!’ ‘It is you who is mad,’ mademoiselle told him crossly. We were to live in some wretched London suburb. Who is the other?” “What other?” Her voice seemed to come from a long way off. The very facts that Miss Miniver never stated an argument clearly, that she was never embarrassed by a sense of self-contradiction, and had little more respect for consistency of statement than a washerwoman has for wisps of vapor, which made Ann Veronica critical and hostile at their first encounter in Morningside Park, became at last with constant association the secret of Miss Miniver’s growing influence.
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